“Adding support for ProRes for Windows, native ProRes Raw and DNx Codecs is yet another way Media Composer deals with advancements in technology so editors can stay focused on creative storytelling.” A vid: www.avid. “This collaboration democratizes content creation by removing the boundaries posed by different operating systems and opens the door to a greater number of higher-quality delivery formats,” said Avid Director of Product Marketing Rob D’Amico in a prepared statement. Users saw consistent upgrades to the user interface throughout 2019, 2020, and 2021. In June of 2019, Avid released Media Composer 2019.6. Those codecs had been unsupported in MacOS since Apple abandoned the legacy QuickTime 7 framework earlier this year. While the Media Composer team worked on the new user interface, the engineers and architecture team retooled the underlying code and video engine. Meanwhile, Avid said, Apple is set to include 64-bit decoders for Avid’s DNxHR and DNxHD in its standard Pro Video Formats package - a free download for Mac users. The release of Media Composer 2019(.6) (MC2019), is one that Avid has been pushing for a while now. As the line went in Star Wars It will be a day long remembered. Take a look at what’s new in Avid Media Composer 2021.6. The day has come for Media Composer editors. That means that, for the first time, it will be as easy for Avid users to deliver ProRes content in Windows as it is on the Mac. To support the increased demand for content, we’ve released a new version of Media Composer with features that speed up the production process, helping you complete more projects faster while remaining focused on doing your best work. Avid filled in some workflow gaps at IBC 2019, announcing native support for Apple ProRes Raw in Media Composer as well as the ability to encode and decode ProRes in Windows.
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